What used to be a majority of films created from original concepts and stories has turned into a majority of films based on books, comics/ graphic novels, video games, articles, and other intellectual properties (IPs). The studios have unilaterally changed the way movies are made and the entire development process –
SSN takes a look in part one of our series.
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With economic and strategic paradigms shifting, it’s become exponentially harder to actually get a film made. Ask any agent who works in the lit world and they’ll agree, as will those who work in media rights – which is the closest thing the film business has to a growth industry these days.
SSN takes a look in part two of our series.
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In the first two parts of
SSN’s series we touched briefly on how the spec market has been affected – and promised to delve deeper into the issue today. Well, here we are, and there is much to discuss. SSN breaks it down for you here.
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SSN breaks down why “a great revenge comedy has a hero audiences can root for, a relatable situation, a moment where the villain realizes why they’re being punished, and an ending where the protagonist decides not to continue down their path of revenge.”
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With no less than three villains in
The Amazing Spider-Man 2, we thought it a worthwhile exercise to take a look at each of the bad guys featured thus far, while also taking a look at some potential villains for the upcoming third and fourth installments.
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With a number of ongoing franchises featuring rotating casts,
SSN takes a look at a few of them to judge the success or failure of their replacements, plus a peek into the future for some titles that are in some form of development – and their potential for success or failure. Franchises include Jason Bourne, Batman, Fletch, Mad Max, James Bond and more.
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