The movie is titled
Spectre, and Christoph Waltz, Monica Bellucci, Lea Seydoux, Dave Bautista and Andrew Scott join Daniel Craig, Ralph Fiennes, Naomie Harris, Ben Whishaw and Rory Kinnear in the impressive cast.
(DH)
Based on a long-running, popular comic book from DC’s Vertigo imprint, Rogen and Goldberg wrote the adaptation, and Sam Catlin is set to serve as showrunner. The pilot will be produced in summer 2015, with hopes of the series debuting in 2016.
(CBR)
The Warner Bros. film is based on Guy Lawson's
Rolling Stone article, which follows two stoners from Miami Beach who ended up becoming arms dealers for the U.S. government. Phillips is producing with Bradley Cooper and Mark Gordon.
(THR)
The
X-Men: First Class director has snapped up the rights to the
Ghostgirl series of novels by author and filmmaker Tonya Hurley, which centers on a high school senior who is desperate to be popular even after her death — from choking on a Gummi Bear.
(VAR)
After much speculation about how it would be different form what we’ve seen before, the new plot details reveal an interesting new take on the material. Josh Trank directs the film, which hits theaters August 6th, 2015.
(EMP)
Music video director Corin Hardy is the latest to occupy the director’s chair for the project, which has been in development for years and has had numerous directors and actors attached. Luke Evans is now on board to star.
(COL)
The director had said he would only be producing the film, which will reportedly feature Harrison Ford and is set to shoot next year, but now says “the script is very, very good” and won’t rule out doing it himself.
(GR)
The film, starring Wes Bentley, Vincent Piazza and Amber Tamblyn, follows three estranged friends who reunite to celebrate turning thirty and reminisce about how they almost made it as a rock band.
(IW)
The new, red band trailer from the highly anticipated film from writer-director-star Chris Rock, which is filled with F-bombs and is most definitely not safe for work.
(SAA)
What’s an even greater mystery than the Riddle of the Sphinx? Why aspiring screenwriters keep writing movies that don’t move.
(SM)