The Hobbit: Battle of the Five Armies comes in at $41.4 million for the five day weekend, giving it over $140 mil overall since it’s December 17th opening. Meanwhile,
Big Eyes falters and
The Interview closes in on $3 million.
(BO)
It’s not terribly surprising that the movie did good business online over the long weekend, but it actually did over $15 million, which far surpasses anything Sony has ever had in the venue. There were over two million legal downloads. Also, it’s now on iTunes.
(THR)
The studio reaps the benefits of the latest
Hobbit film, as well as
Godzilla and, interestingly,
Edge of Tomorrow, plus the fact that it owned the foreign rights for
Interstellar, which has down boffo numbers abroad, means it’s a good year, overall.
(VAR)
It’s hard to pronounce the patient healed just yet, but yesterday morning, the system finally appeared to move past several days of heavy cyber assaults that left it mostly unaccessible to gamers.
(DH)
Sienna Miller, that is. The
American Sniper actress joins the cast of Gray’s next film, which already includes Benedict Cumberbatch and Robert Pattinson and is about a British explorer who disappears in the Amazonian jungle.
(TP)
Though both Netflix and Marvel have not confirmed anything, it looks like May 1st will be the day when people can finally see what actor Charlie Cox looks like as ‘The Man Without Fear.”
(BC)
The project,
Bogart Slept Here, eventually morphed into
The Goodbye Girl, but the whole story is rather interesting, and is featured in a new bio of the Oscar-winning actor,
De Niro: A Life, by Shawn Levy.
(IW)
There are some doozies on this list, including a couple surprises, movies that some might possibly put on their “best best” list. But you’ll just have to click over to see for yourself.
(COL)
After last week’s tremendous
Marvel Vs. DC trailer, there’s no reason not to enjoy, in a purely geeky fashion, this other “never-gonna-happen” concept.
(CB)
The same, but different. That’s what new writers are told to strive for when it comes to commercial concepts to raise their chances of a sale. It worked for this screenwriter, who took the classic Robin Hood and asked, “What if…?”
(SM)