Netflix is buying feature films, Woody Allen is making an Amazon show, and A-list Oscar winners have no problem taking a role in a TV show or miniseries, even at the height of their career. In other words, it’s an exciting time for television. The landscape is changing so rapidly it’ll give you whiplash.
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It’s no secret that when it comes to sitting down to actually doing the writing, we writers excel at procrastination. If, anywhere within a five mile radius of the computer, we happen to notice an unsharpened pencil, a window, a refrigerator, a phone, unopened mail, a magazine, something needing dusting, the TV remote, a ladybug making its way up the wall, a freckle, a birthmark, a pimple, a scab, or even a stray thought — that’s more than enough reason to stop writing.
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SSN Senior Editor Neil Turitz takes a look at what happened last week, and how it actually has a different effect on Hollywood than you might have originally thought. It turns out, the mass exodus from CAA is analogous to a larger problem that plagues the industry. Click on the link and prepare to be educated and edified.
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Every working writer has their unique story about how they broke into the film and television industry. Russel Friend, Executive Producer/Writer of
House, Executive Producer/Writer of
Glee, Executive Producer/Writer of
Battle Creek, shared his story with us.
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Last week we revealed some of the sources behind where we find rising talent and creative projects. This week, we’re returning to form and releasing our latest list of the hidden gems from around the web. With millions of creative projects posted daily, the internet can be a vast city. Luckily, SSN is here to shine a light on it.
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