Emma Watson has stepped up to replace Alicia VIkander, who had briefly been attached to the project. Based on Dave Eggers’ novel, the thriller follows a young woman who is hired for a big job in an Internet monopoly called the Circle, which links users’ personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency.
(TP)
Jaume Collet-Serra is circling the project, about a surfer attacked by a shark at a lonely sea spot who ends up bleeding and marooned on a buoy in the ocean. Her main problem, besides the blood loss? The hungry creature is still gliding through the water around her, cutting her off from help. Anthony Jaswinski’s script sparked a lot of interest from the studios last autumn, and Sony was quick to snap it up.
(EMP)
The long-gestating project has gone through a series of directors and potential stars, but progress seemed to be taking hold when Seth Gordon became attached last year. But now, with the regime change at parent studio Sony and “a new creative direction” desired, Gordon too has left the film. Based on the popular video game, the film has always been envisioned in the vein of an Indiana Jones-type adventure flick.
(COL)
The series, which is created by Sam Esmail, follows a young programmer named Elliot (Rami Malek) who spends his days as a cyber-security engineer and his nights as a vigilante hacker. Christian Slater also stars as a mysterious leader of the cyber-underground community that recruits Elliot. The second season will include a minimum of 10 episodes and will air in 2016.
(VAR)
The former Governator will star in
478, in which he’ll play a man who loses his wife and child in a plane crash due to an error by an air traffic controller. Schwarzenegger goes after the controller in order to seek his revenge, even though his target has been placed in protective custody, since Arnold likely isn’t the only one who wants to see him dead. The script was written by Javier Gullon.
(CB)
Robin Bissell's feature film directorial debut will be based on the true story of the relationship between Ann Atwater and C.P. Ellis. To be titled
The Best of Enemies, the film, set in the 1960s, will detail the battle and eventual friendship between Atwater, a working class, single black mother in Durham, NC, who quit her job as a household domestic to join the civil rights fight, and Ellis, a working class white man also from Durham and member of the Ku Klux Klan.
(SAA)
Rebecca Thomas will helm
Looking For Alaska, which has been adapted by
The Fault in Our Stars scribes Scott Neustadter & Michael H. Weber. The protagonist of the novel is Miles “Pudge” Halter, who leaves his boring life behind, heads off to the Culver Creek Boarding School, and finds adventure and some danger because of his new friend Alaska Young, a gorgeous, funny, sexy and self-destructive catalyst for a life change in a daring new direction.
(DH)
Network’s 10-episode drama will star Michael Weston and Brit actor Stephen Mangan as Harry Houdini and Sir Arthur Conan Doyle, who respectively debunked and had a fascination with the paranormal. Together, they ally with Scotland Yard to investigate inexplicable crimes that have a supernatural slant. David Shore is an executive producer on the project, which will premiere some time in 2016.
(TVL)
For Marvel’s next act, the final installment in Phase Two, Marvel deliberately is thinking smaller. Rudd, best known for playing likable guys in such off-kilter rom-coms as
This Is 40 and
I Love You, Man, is stepping into the Ant-Man suit to shrink down to the size of a picnic-pooper. He and Marvel Studios head man Feige discuss the movie, the business of Hollywood and all things Marvel Cinematic Universe related.
(THR)
Hooks aren’t for fishing. Hooks are for catching. Catching, then holding. In our case, holding the attention of a reader. A hook is that line and or description that compels the reader’s immersion into each scene with rapt attention and heightened anticipation. No Hook? No Catch. No Interest. Period. Full Stop. End of story… for the writer.
(SM)